Wagner: Die Walküre movie poster

Wagner: Die Walküre (2013)

Released November 4, 2013Runtime 3h 58mDirector Guy Cassiers
Music

Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.

Where to watch Wagner: Die Walküre

Streaming, rental and purchase options in the United States.

We do not have United States streaming information for this title yet. Check back closer to its release.

Availability changes often. Streaming data is provided by JustWatch via TMDB. MoviesBoxHD does not host or stream any video files.

Cast of Wagner: Die Walküre

Simon O’Neill

Simon O’Neill

Siegmund
John Tomlinson

John Tomlinson

Hunding
Vitalij Kowaljow

Vitalij Kowaljow

Wotan
Waltraud Meier

Waltraud Meier

Sieglinde
Nina Maria Stemme

Nina Maria Stemme

Brünnhilde
Ekaterina Gubanova

Ekaterina Gubanova

Fricka

About Wagner: Die Walküre

Where can I watch Wagner: Die Walküre?

We do not have streaming information for Wagner: Die Walküre yet. Check back soon.

Who stars in Wagner: Die Walküre?

Wagner: Die Walküre stars Simon O’Neill, John Tomlinson, Vitalij Kowaljow, Waltraud Meier, Nina Maria Stemme.

Who directed Wagner: Die Walküre?

Wagner: Die Walküre was directed by Guy Cassiers.

How long is Wagner: Die Walküre?

Wagner: Die Walküre has a runtime of 3h 58m.

What is Wagner: Die Walküre about?

Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.