The Beautiful Woman Without Mercy movie poster

The Beautiful Woman Without Mercy (1921)

7.0audience score
3 votes on TMDB
Released April 22, 1921Runtime 1h 20mDirector Germaine Dulac

"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center

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Cast of The Beautiful Woman Without Mercy

Denise Lorys

Denise Lorys

Comtesse d'Amaury
Jean Toulout

Jean Toulout

Comte Guy d'Amaury
Louis Monfils

Louis Monfils

About The Beautiful Woman Without Mercy

Where can I watch The Beautiful Woman Without Mercy?

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Who stars in The Beautiful Woman Without Mercy?

The Beautiful Woman Without Mercy stars Tania Daleyme, Yolande Hillé, Denise Lorys, Jean Toulout, Jean Tarride.

Who directed The Beautiful Woman Without Mercy?

The Beautiful Woman Without Mercy was directed by Germaine Dulac.

How long is The Beautiful Woman Without Mercy?

The Beautiful Woman Without Mercy has a runtime of 1h 20m.

What is The Beautiful Woman Without Mercy about?

"Taking its title from John Keats’s early 19th-century poem, this highly personal melodrama finds Dulac interrogating the archetype of the femme fatale. La belle dame sans merci follows a famous actress who was once seduced and abandoned by a rich man and subsequently resolved to become a “merciless woman,” forever scheming to hurt others (men in particular) in a ruthless yet captivating manner. Dulac challenges the Romantic archetype embodied in Keats’s poem by way of symbolist mise en scène, self-reflexive narration, and her typically associative approach to editing, locating a modern ambiguity within the stereotypical figures of 19th-century art." - Film Society of Lincoln Center