Love Meetings movie poster

Love Meetings (1965)

8.2audience score
301 votes on TMDB
Released July 5, 1965Runtime 1h 28mDirector Pier Paolo Pasolini

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.

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Love Meetings trailer

Cast of Love Meetings

Pier Paolo Pasolini

Pier Paolo Pasolini

Self - Interviewer (uncredited)
Alberto Moravia

Alberto Moravia

Self - Writer
Oriana Fallaci

Oriana Fallaci

Self - Journalist
Antonella Lualdi

Antonella Lualdi

Self - Actress
Io Appolloni

Io Appolloni

Self - Girl at Lido with Swimming Cap (uncredited)
Graziella Granata

Graziella Granata

Self - Girl at Lido with Long Hair (uncredited)

About Love Meetings

Where can I watch Love Meetings?

We do not have streaming information for Love Meetings yet. Check back soon.

Who stars in Love Meetings?

Love Meetings stars Pier Paolo Pasolini, Lello Bersani, Alberto Moravia, Cesare Musatti, Peppino Di Capri.

Who directed Love Meetings?

Love Meetings was directed by Pier Paolo Pasolini.

How long is Love Meetings?

Love Meetings has a runtime of 1h 28m.

What is Love Meetings about?

Pier Paolo Pasolini sets out to interview Italians about sex, apparently their least favorite thing to talk about in public: he asks children if they know where babies come from; asks old and young women if they support gender equality; asks both sexes if a woman's virginity still matters, what do they think of homosexuality, if divorce should be legal, or if they support the recent abolition of brothels. He interviews blue-collar workers, intellectuals, college students, rural farmers, the bourgeoisie, and every other kind of people, painting a vivid portrait of a rapidly-industrializing Italy, hanging between modernity and tradition — toward both of which Pasolini shows equal distrust.