Strauss: Elektra movie poster

Strauss: Elektra (1980)

Released February 16, 1980Runtime 1h 50mDirector David Stivender, Herbert Graf
Music

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.

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Cast of Strauss: Elektra

Leonie Rysanek

Leonie Rysanek

Crisotemis
Donald McIntyre

Donald McIntyre

Orestes
James Levine

James Levine

Conductor
MET Orchestra

MET Orchestra

About Strauss: Elektra

Where can I watch Strauss: Elektra?

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Who stars in Strauss: Elektra?

Strauss: Elektra stars Mignon Dunn, Birgit Nilsson, Leonie Rysanek, Robert Nagy, Donald McIntyre.

Who directed Strauss: Elektra?

Strauss: Elektra was directed by David Stivender and Herbert Graf.

How long is Strauss: Elektra?

Strauss: Elektra has a runtime of 1h 50m.

What is Strauss: Elektra about?

It's hard to imagine confirmed Straussians not wanting this starry Metropolitan Opera performance of Elektra. Strauss and his librettist, Hugo von Hofmannstahl, transformed Sophocles' take on Homer's tale into a harrowing opera noir. Elektra lives for one reason, to kill her mother, Klytämnestra, and her stepfather, Aegisth, the murderers of her father, Agamemnon. In contrast to Elektra's vengeful obsession, her sister Chrysothemis desires to get on with life. When their long-missing brother, Orestes, returns to do the deed, Elektra celebrates with a dance of death and, her sole purpose in life fulfilled, dies. Strauss joined the hermetic plot to music of the utmost opulence, violent and yearning by turns, evoking the cardinal principles of Greek tragedy - pity and terror.