Postcard (Or, from afar, you are a mirage) movie poster

Postcard (Or, from afar, you are a mirage) (2024)

Released March 23, 2024Runtime 0h 7mDirector Carolina Astudillo Muñoz

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.

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Postcard (Or, from afar, you are a mirage) trailer

Cast of Postcard (Or, from afar, you are a mirage)

Carolina Astudillo Muñoz

Carolina Astudillo Muñoz

Voz

About Postcard (Or, from afar, you are a mirage)

Where can I watch Postcard (Or, from afar, you are a mirage)?

We do not have streaming information for Postcard (Or, from afar, you are a mirage) yet. Check back soon.

Who stars in Postcard (Or, from afar, you are a mirage)?

Postcard (Or, from afar, you are a mirage) stars Carolina Astudillo Muñoz.

Who directed Postcard (Or, from afar, you are a mirage)?

Postcard (Or, from afar, you are a mirage) was directed by Carolina Astudillo Muñoz.

How long is Postcard (Or, from afar, you are a mirage)?

Postcard (Or, from afar, you are a mirage) has a runtime of 0h 7m.

What is Postcard (Or, from afar, you are a mirage) about?

"The palm trees on the reverse are a delusion; so is the pink sand". This line, taken from a poem by Margaret Atwood, lights the path traced in "Postcard". As the years go by, landscapes transform, take on new meanings, and hold onto joys that will never be regained. The sea and the beach, once stages of happy summers, romances, and encounters, will turn into concentration camps or centers of detention and torture. This occurs across different times and places. In this piece, I embark on a journey through some of my works that explore the relationship between testimony, spaces, and time, engaging in dialogue with the beautiful film directed by Alejandro Segovia in 1972.