A Propos D'Un Crime (1967)
1 votes on TMDBReleased January 1, 1967Runtime 0h 24mDirector Gérard Patris
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
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Cast of A Propos D'Un Crime
Jean Sénac
Self
Brahim Hadjadj
Self
Luchino Visconti
Self
Anna Karina
Self
Marcello Mastroianni
SelfAbout A Propos D'Un Crime
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Who stars in A Propos D'Un Crime?
A Propos D'Un Crime stars Jean Sénac, Brahim Hadjadj, Luchino Visconti, Anna Karina, Marcello Mastroianni.
Who directed A Propos D'Un Crime?
A Propos D'Un Crime was directed by Gérard Patris.
How long is A Propos D'Un Crime?
A Propos D'Un Crime has a runtime of 0h 24m.
What is A Propos D'Un Crime about?
In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
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