Mikio Naruse 100th Birth Anniversary movie poster

Mikio Naruse 100th Birth Anniversary (2005)

Released January 1, 2005Runtime 0h 32m

Because his style was similar to that of Yasujiro Ozu, who was already active at Shochiku, he moved to PCL (currently Toho) in 1933, where he appeared in the talkie works "My Wife, Like a Rose" and "Tsuruhachi Tsurujiro." It got attention. There were times when he was unable to make as many films as he wanted due to wartime film regulations and post-war Toho disputes, but in 1951 he revived his career with Meshi. Since then, he has released masterpieces one after another, including "Okaasan," "Lightning," "The Couple," "Wife," "Anii Mouto," "Sounds of the Mountain," and "Bangiku." The pinnacle of his work, "Floating Clouds," is Kenji Mizoguchi's "Wife." Even director Ozu was impressed, calling it a masterpiece of Japanese cinema, on par with "The Sisters of Gion." He depicted ordinary people in everyday life with an everyday realism that was not influenced by lyricism, and he consistently sought out women as his subjects.

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Cast of Mikio Naruse 100th Birth Anniversary

Mikio Naruse

Mikio Naruse

Akira Takarada

Akira Takarada

Voiceover

About Mikio Naruse 100th Birth Anniversary

Where can I watch Mikio Naruse 100th Birth Anniversary?

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Who stars in Mikio Naruse 100th Birth Anniversary?

Mikio Naruse 100th Birth Anniversary stars Mikio Naruse, Akira Takarada.

How long is Mikio Naruse 100th Birth Anniversary?

Mikio Naruse 100th Birth Anniversary has a runtime of 0h 32m.

What is Mikio Naruse 100th Birth Anniversary about?

Because his style was similar to that of Yasujiro Ozu, who was already active at Shochiku, he moved to PCL (currently Toho) in 1933, where he appeared in the talkie works "My Wife, Like a Rose" and "Tsuruhachi Tsurujiro." It got attention. There were times when he was unable to make as many films as he wanted due to wartime film regulations and post-war Toho disputes, but in 1951 he revived his career with Meshi. Since then, he has released masterpieces one after another, including "Okaasan," "Lightning," "The Couple," "Wife," "Anii Mouto," "Sounds of the Mountain," and "Bangiku." The pinnacle of his work, "Floating Clouds," is Kenji Mizoguchi's "Wife." Even director Ozu was impressed, calling it a masterpiece of Japanese cinema, on par with "The Sisters of Gion." He depicted ordinary people in everyday life with an everyday realism that was not influenced by lyricism, and he consistently sought out women as his subjects.